Carving Figures, Panel by Panel
Foliage and geometry can be laid out, repeated and worked to a rhythm. A figure cannot. Every panel on these doors is its own composition: the carver has to model a face, set the proportion of the limbs, cut the fall of cloth so it reads as fabric rather than as grooves, and place the hands so the mudra is unmistakable, all in shallow relief where there is very little depth to work with. It is the most demanding thing anyone does in wood, and it is why the doors on this mandir take longer to carve than the entire cabinet behind them.
The reward is a mandir that stays devotional when it is closed. Rather than shutting the deities behind a blank panel, you close one set of figures over another. And because each panel is carved individually rather than pressed from a mould, the figures can be whichever ones your family keeps: tell us the deities of your household and the doors are composed around them, in the same hands and the same style. The jaali frieze above keeps air moving through the piece so the interior stays fresh. Everything here is carved and polished by hand by master Indian artisans.