Designing Around Smoke, Not Around Photographs
Most home mandirs sold today are designed to look good in a listing. That is why so many of them are enclosed boxes with a solid roof: the shape reads as a temple, it photographs cleanly, and it is cheaper to build than an open canopy on pillars. The problem shows up two or three years in. Agarbatti smoke and diya soot rise, meet a closed ceiling a few inches above the flame, and settle there. On a polished wooden surface that film darkens, works into the grain, and is effectively permanent. Families end up living with a blackened canopy above the deities.
This mandir is built the other way. The canopy is carried on pillars and left open at the front and both sides, so smoke has somewhere to go, and the underside stays clean far longer. The shikhar above is solid and carved, so the piece still reads as a temple from across the room, but it is set above an open volume rather than capping a sealed one. The back panel is deliberately plain book-matched teak rather than carved, because carving directly behind the deities competes with them and collects dust in its recesses. Every one of these is carved and polished by hand by master Indian artisans, and the photographs on this page show the actual piece.