Carving at the Crown and the Base, Calm in Between
There is a great deal of carving on this mandir, and where it sits is the whole design. The crown carries the three domes with birds worked onto their ribs, the deep cornice and a cusped pelmet hung with drops across the full width. The base carries the carved cupboard panels, the drawer fronts and the moulded plinth. Between them, at exactly the height where you look, the back is one broad panel of book-matched teak left entirely plain.
That quiet centre is what makes the piece work. Carving behind the deities competes with them, and a mandir where everything is ornamented gives the eye nowhere to rest. Leaving the middle calm means the figures on the platform are what you see first when you walk into the room, with the ornament framing them from above and below. Selecting a single wide book-matched panel for that field takes careful timber selection, since the grain has to mirror cleanly across the centre line and run evenly the whole width. If you would prefer carving, a mirror or a marble insert behind the deities, we build the panel that way instead. Everything is carved and polished by hand by master Indian artisans.