Pierced carving is carving with the background removed, and that single decision changes everything about how a piece is made. In relief work, the timber behind the pattern stays put and holds it all together. Pierce it and the pattern has to hold itself - every leaf, stem and scroll becomes a small structural member carrying its neighbours.
That is why the leaf sprays on either side of this mirror are laid out before a single cut is made. Our carvers plan where the stems will run so that the design is continuously connected from the crest down to the table, with no isolated element depending on a short cross-grain neck that could snap. Where a stem has to cross the grain, the carver thickens it slightly and hides the extra depth in a curl.
The cutting itself moves from the back to the front. Openings are pierced first, the profiles refined next, and the surface modelling done last, when the piece is at its most delicate and every chisel stroke is judged rather than driven.
The reward is a mirror frame that fills a wall but lets the light and the wall colour pass straight through it.