Painted furniture fails in a predictable place: the painting wears off first at the edges and the raised mouldings, exactly where hands touch it. That happens when the decoration is applied last, sitting on top of the finish as the outermost layer.
So our master Indian artisans put the painting inside the finish rather than on it. The ground is laid and sealed first. The bouquets are then painted onto that sealed ground. And only after the painting is complete do the final protective coats go on - over the flowers, not under them.
The decoration ends up sandwiched: a layer of hardened finish beneath it and several above. Nothing anyone does in ordinary use touches the painting itself, and the surface that gets rubbed and wiped is a clear protective coat that can be renewed decades later without disturbing the artwork underneath.
The consequence is that the painting cannot be corrected once the coats begin. Each bouquet is worked freehand and finished in a session, and if a petal is not right it is dealt with then. Which is also why no two panels on this wardrobe are identical - and why they look painted rather than printed.