The Story Behind This TV Unit
Three finishes meet on this piece and the difficulty is stopping them fighting. Gold leaf, silver leaf and red lacquer each behave differently on timber, each needs its own ground preparation, and each has to be masked while the others are laid. The sequence is fixed and cannot be varied: lacquer first, built up in coats and cut back to a depth that reads as colour rather than stain; then the grounds for the leaf; then silver, then gold, each laid by hand in overlapping sheets and burnished.
The carving is done long before any of that. The scroll volute ends are cut from thick solid stock with the grain running through the curve, since they carry the top. The centre panel is pierced clean through so the bay behind shows, and the urn within it is shaped from the solid. The rosette-and-lozenge friezes are the fussy runs - each rosette cut individually, spacing calculated so the repeat divides evenly along the top and base and turns the corners without a broken unit.
The bay interiors are gold-leafed before the glass shelves are fitted, so no leaf is laid around an obstruction.