The Story Behind This TV Unit
A shaped silhouette is harder than a rectangular one for a reason that has nothing to do with carving: it has to be cut from wider stock and jointed so the grain runs correctly through every lobe, and a great deal of timber is wasted in the process. Cut it wrongly and the narrow waists between the lobes - the weakest points on the whole panel - split along the grain.
So the panel is drawn full-size first and the boards laid out around the silhouette rather than the silhouette being cut from whatever board is available. It is then framed and braced from behind, where nothing is seen, so a tall shaped panel stays flat.
The crest and shoulder flourishes are carved as separate compositions and pierced clean through. The console base is an openwork carved structure that is genuinely load-bearing rather than cosmetic. Then the ivory is built up in thin coats and cut back between each; the floral trails are laid on freehand over the finished ground, which is why no two panels are alike; and the leaf is applied by hand to the carving, burnished, and rubbed back at the high points. Both pieces are dry-assembled and photographed for your approval before dispatch.