The Story Behind This TV Unit
When there is no paint and no gold, the timber itself has to carry the piece - so this console starts with board selection more carefully than anything else in the range. Boards are chosen and matched for grain and figure across the doors and the top, so the pattern runs coherently rather than jumping from one panel to the next. On a painted piece this would be invisible; here it is the whole effect.
The scroll ends are cut from thick solid stock, shaped in a continuous S-curve and then carved with acanthus along the outer edge. They are structural as well as decorative - they carry the top - so the grain has to run through the curve rather than across it, which limits how the blank can be laid out and wastes a good deal of timber.
The door panels are carved in raised relief from the solid, the shell hollowed so it reads as a shell and the foliage layered around it. The frieze is run continuously along the base. Then the finishing: hand-sanded through progressive grits, then scraped, then the polish built up in coats and cut back between them so the depth comes from layers and the grain stays legible.