The Story Behind This TV Unit Wall
A piece at this scale is drawn full-size before anything is cut. The cornice, the crest, the column proportions and the valance arcade all have to hold their relationship when seen from floor level several metres away - ornament that looks correct on a bench looks squat from below, so the carvers compensate deliberately in the setting out.
The teak is seasoned for months, because a wall composition that moves shows gaps at every panel join and there is no moulding wide enough to hide them. The columns are turned and then reeded by hand along their full length. The crest and corner flourishes are carved as separate compositions and pierced clean through so the wall shows behind them. The console base is the most demanding element: an openwork carved structure that still has to carry the console and everything on it.
Then the finishing, which takes longer than the carving. Ivory is built up in thin coats and cut back between them; the blue-black accents are laid separately; and gold leaf is applied by hand across the crest, cornice, column reeding, valance and swags, then burnished and rubbed back at the high points. The whole wall is dry-assembled in the workshop and photographed for your approval before it is dismantled.