The Story Behind This TV Unit
Gold leaf is not gold paint, and the difference is the whole reason this piece looks the way it does. Leaf is applied in tissue-thin sheets by hand onto a prepared ground, laid one overlapping section at a time, then burnished. It takes days on a console this size, and it cannot be rushed - leaf that is laid on an imperfect ground shows every flaw beneath it, magnified.
So the sequence matters. The carcass is built in seasoned solid teak and fitted properly first, with each of the five drawers planed to its own opening rather than to a common size. The carved borders, corner brackets, frieze and feet are cut from the solid at the bench. The cream is then built up in thin coats and cut back between each until the ground is dense and even without drowning the carving.
Only then does the gilder start, working the leaf across every carved border, cartouche, bracket and foot, burnishing it up and then rubbing it back at the high points so the piece reads as aged rather than freshly finished. Hardware is fitted last so nothing is handled after the leaf is laid.