The Story Behind This Mirror
Small frames are where workshops cut corners, because the customer is paying less and the temptation is to give less. The test is simple: look at the corner scrolls. On a moulded or machine-pressed small mirror they are shallow, identical and slightly soft at the edges. On a hand-carved one they are cut to full depth, undercut so the scroll lifts clear of the ground, and subtly different from each other.
Here they are cut to full depth. The carver works the same seasoned teak, with the same chisels, to the same standard as on a frame five times the size - the only thing that changes is the amount of it. The double bead is the giveaway detail: two continuous bead runs of different scale, both keeping rhythm around all four corners on a short perimeter where any error has nowhere to hide. On a large frame a bead can drift a fraction and be forgiven; on this one it cannot.
Then hand-sanding through progressive grits, gold laid in coats and rubbed back at each bead and scroll tip, and the plate fitted last. Where a pair or a set is ordered, the frames are carved alongside each other so they match.