The Story Behind This Mirror
Carving flowers that look like flowers is harder than carving acanthus that looks like acanthus, because everyone knows what a rose looks like. A stylised leaf can be judged only against other carvings; a rose is judged against the real thing, and a bad one is obvious to anyone. So the carver works from observation rather than from a pattern, cutting each bloom at a different stage - some fully open with the outer petals turning back, some half open, a few still tight in bud.
The garlands are built up over a pierced ground. First the ground is opened so the wall will show through; then the stems are laid across it and carved so they genuinely pass behind the leaves rather than stopping at them; then the blooms are cut and undercut so they stand proud of everything else. That layering is the reason the garland appears to hang in front of the frame.
The shell and oak spray at the crest is cut last, as is the base cartouche. Then hand-sanding through progressive grits, gold laid in coats and rubbed back at every petal edge and shell ridge, and the beaded oval plate fitted at the end.