Two lion heads facing each other across a seat have to match, and matching them is harder than carving either one. Carve them from two separate offcuts and the grain in each runs its own way: one mane catches the light along its length, the other across it, and even with identical modelling the pair looks off.
Our carver takes both heads from one billet, split down the middle. The two halves are then worked as mirror images - not copies, mirrors - so the grain runs outward from the centre line of the chair on both sides at once. A highlight that falls along the left mane falls the same way along the right.
Working as mirrors also means the two are carved in the same session, alternating between them rather than finishing one and then trying to reproduce it from memory. Depth of eye socket, set of the brow, the fall of the mane: each is cut on one head and immediately on the other, while the hand still knows the cut.
Nobody buying the chair thinks about the billet it came from. They just see two lions that clearly belong to each other.