Covering a whole chair in one patterned cloth sounds simpler than using two. It is considerably harder, because the pattern has to be planned across every surface at once.
Our upholsterers begin by finding the repeat - the distance at which the design starts again - and then lay out the chair's panels on the roll like a puzzle: back, inside arms, outside arms, seat, front rail. Each panel is positioned so a full motif lands where the eye goes first: centred on the back, centred on the seat, and running symmetrically down each arm.
The panels are cut in that layout and kept in order, so nothing is taken from the wrong part of the roll during the work.
Where a large repeat and a small chair collide, the seat is centred first and the back is centred second, because the seat is seen from above at close range while the back is read from across the room. That priority is decided before cutting, and it is the difference between a chair whose pattern looks placed and one whose pattern looks poured over it.