The two lions on this chair are not a matched pair, and they were never meant to be.
A true mirror pair - one an exact reflection of the other - looks wrong on an animal, because no two living creatures hold themselves identically. So our artisans carve them as a handed pair with deliberate differences: the set of the jaw, the fall of the mane, the angle at which each head turns toward the person approaching the chair.
Each begins as a clay maquette worked in the round, which is turned and studied from every side before a chisel touches timber. That is the only way to resolve how a mane meets a shoulder, or how the weight sits over the forepaws, because those are three-dimensional problems that no drawing answers.
The lion is then blocked out in solid teak with the grain running along the body, so the legs have long grain down their length and the paws are strong where they meet the floor. The head is worked last, when the body is settled, because the head is what everyone looks at and the carver wants the piece in front of them fully resolved before starting on it.