The hardest part of this cabinet is not the carving. It is painting a bouquet onto a door that curves in two directions at once.
A bombe door swells outward across its width and rolls forward down its height. A flower bouquet drawn flat on paper cannot simply be traced onto that surface; the outer petals would stretch and the bouquet would read as if it were sliding off the door. So our painters do not transfer a drawing. They chalk the outline directly onto the finished, curved, primed door, standing where a person in the room would stand, and adjust the shape by eye until it reads correct from that viewing position rather than from directly in front.
The centre of the bouquet is set slightly above the geometric centre of the panel as well. The lower half of a bombe door falls away from the light and sits in its own shadow, so a bouquet placed dead centre looks low. Raising it a little brings it back to the middle of what the eye actually sees.
Only then does painting begin: ground, mass, petal, and finally the fine highlights.