Vine and fruit carving has always meant plenty and continuity, which is why it turns up on furniture intended to pass down a family rather than to be replaced. A vine bears every year without being replanted, and carvers reached for it whenever a piece was meant to say permanence.
What makes it difficult is that a vine cannot be laid out on a grid. Real growth is irregular - it bunches where a stem forks, thins along a run, doubles back when it meets an edge - and a carver who spaces the leaves evenly produces a border instead of a plant. So the design has to be drawn freehand at full size and then cut freehand too.
Our master Indian artisans deliberately make the two halves balance without mirroring. A perfectly symmetrical vine looks manufactured; one where the left has three fruit clusters and the right has two, at slightly different heights, looks alive. It is more difficult to design and considerably more difficult to carve, and it is the entire reason this bed does not look machine-made.