A scalloped silhouette is a decision about the wall, not about the bed. Square off the top of a headboard and it reads as a block set against your paint; shape it into a run of curves and the wall becomes part of the design, showing between and above the shapes. It costs more to build - every one of those curves is cut, shaped and finished on both faces - and it is the reason this bed looks lighter than its carving suggests.
The dense floral work around the panels comes from the Indian tradition of covering a ground completely, seen in inlay, in textile borders, in temple woodwork. The logic is that a fully worked surface has no empty space to look thin, so it can hold strong colour beside it without being overwhelmed.
Getting the two to agree is the craft. Our master Indian artisans cut the floral ground first and shape the upholstered panels to the openings it leaves, rather than the other way round. Fabric can be trimmed to fit carving; carving cannot be stretched to fit fabric.