The Story Behind This Frame
A swept frame is judged on its plain surfaces, not its carving. Any workshop can cut a shell; very few can run a continuous outward sweep along four rails, bring them together at mitred corners, and leave a surface smooth enough that gold lies on it without a ripple. That is why this frame starts with the most carefully selected boards in the workshop - straight, tight-grained seasoned teak, matched for colour across all four rails.
The sweep is worked first, by hand, and then refined with scrapers rather than only abrasive, because scraping leaves a surface that abrasive cannot match. The mitres are cut and fitted dry until the joint closes without pressure - a swept profile shows a bad mitre from across a room. Only then is the ornament carved: the shells shaped from the solid with their flutes standing proud, the corner cartouches cut so the acanthus breaks over the sweep rather than sitting on top of it, and the gadroon border run last around the aperture. Hand-sanding follows, then gold in coats, rubbed back at the gadroons and shell ridges. Glass is cut and fitted to your size at the end.