The Story Behind This Mirror
Two elements on this frame are made by different skills, and the join between them is the whole craft. The acanthus scrolls are cut fast and fluently - Rococo scrollwork has to look like it grew rather than like it was measured, so the carver works with rhythm rather than to a rule. The rosettes are the opposite: symmetrical, layered, each petal ring set at an even radius, and they have to be exact because a bloom that is out of round is obvious.
Getting one carver to do both convincingly is the reason a frame like this costs what it does.
The ground is pierced first so the scrolls have air behind them; the rosettes are then carved as layered blooms, the outer petals turning back and the inner rings tightening to a carved centre. The rope twist border is run last around the aperture, keeping constant pitch and turning all four corners without the spiral jumping - most workshops fudge the corners, and it shows. Then hand-sanding through progressive grits, gold laid in coats and rubbed back at the scroll tips, the petal edges and along the high side of the rope, and the plate fitted at the end.