The basket of flowers is one of the most persistent motifs in Indian carved woodwork, and it turns up on temple doors, haveli panels and marriage chests alike. Its appeal to a carver is practical: a basket gives a firm geometric base - woven bands, a foot, a rim - and the flowers spilling out of it give complete freedom above. Structure below, improvisation above. Very few motifs offer both.
Piercing the headboard above it is the older Indian idea of jaali - a screen cut through so air and light pass. In stone it cooled courtyards; in wood on a bed it simply keeps a very tall headboard from becoming a wall, and lets the colour of your room show through the pattern.
Leaving the whole thing unstained is the decision that ties it together. Our master Indian artisans carve differently for a natural finish: there is no colour and no gilding to reveal the form, so every cut has to be deep enough to shadow itself. The bed is finished the moment the carving is right, which is a harder standard than it sounds.