Both motifs on this bed are about abundance. The cornucopia - a horn spilling fruit and flowers - has meant plenty since antiquity, and it moved onto furniture in rooms where the owner wanted the room itself to say something. The leaf-and-acorn garland says the same thing in a quieter register: an acorn is a whole tree in waiting, which is why carvers have used it on furniture meant to be inherited.
What makes a garland difficult is that it must look loose. A carved swag that is evenly spaced reads as a border; a real garland sags between its fixing points, bunches where it is gathered and thins where it hangs. Every leaf therefore sits at a slightly different angle from its neighbour, and each one is cut individually.
Our master Indian artisans carve the garland proud of the rail behind it and undercut beneath the leaves, so daylight passes between leaf and rail. That gap is what stops the garland looking pressed onto the surface - and it is the single detail that separates hand carving from moulded ornament on a piece like this.